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Employing an innovative range of materials from written sources to artworks, material objects, heritage sites and urban precincts, and combining historical, historiographical, museological, and touristic analysis, this study investigates how late medieval and early modern women of the Low Countries expressed themselves, how they were represented by contemporaries, and how they have been interpreted in modern academic and popular contexts.
Women --- Femmes --- Social conditions --- History --- Conditions sociales --- Histoire --- Social conditions. --- History. --- vrouwbeeld --- 396 "14/15" --- 305 --- 305 Genderstudies. Rol van de sekse. Gender. Personen vanuit interdisciplinair gezichtspunt --- Genderstudies. Rol van de sekse. Gender. Personen vanuit interdisciplinair gezichtspunt --- 396 "14/15" Feminisme. Vrouwenbeweging. Vrouw en maatschappij--?"14/15" --- Feminisme. Vrouwenbeweging. Vrouw en maatschappij--?"14/15" --- 82:396 --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- 82:396 Literatuur en feminisme --- Literatuur en feminisme --- History of the Low Countries --- Iconography --- Women - Low counties - Social conditions --- Women - Low countries - History --- receptiegeschiedenis --- vrouwengeschiedenis --- Pays-Bas --- 1500-1800 --- Belgique
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History of the Netherlands --- anno 1700-1799 --- Delft --- Delft (Netherlands) --- Economic conditions --- Social conditions --- Delft (Pays-Bas) --- Conditions économiques --- Conditions sociales --- Conditions économiques --- urban history --- cultuurgeschiedenis --- economische geschiedenis
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In ancient Rome, the subtlest details in dress helped to distinguish between levels of social and moral hierarchy. Clothes were a key part of the sign systems of Roman civilization - a central aspect of its visual language, for women as well as men.This engaging book collects and examines artistic evidence and literary references to female clothing, cosmetics and ornament in Roman antiquity, deciphering their meaning and revealing what it meant to be an adorned woman in Roman society. Cosmetics, ornaments and fashion were often considered frivolous, wasteful or deceptive, whic
Women's clothing --- Dress accessories --- Beauty, Personal --- Women --- Vêtements de femme --- Vêtements --- Beauté corporelle --- Femmes --- Social aspects --- Social conditions. --- Aspect social --- Accessoires --- Conditions sociales --- Rome --- Social life and customs. --- Moeurs et coutumes --- Vêtements de femme --- Vêtements --- Beauté corporelle --- Developmental psychology --- Hygiene. Public health. Protection --- History of civilization --- Antiquity --- women [female humans] --- costume [mode of fashion] --- Women's apparel --- Women's wear --- Womenswear --- Clothing and dress --- Dressmaking --- Tailoring (Women's) --- Accessories (Dress) --- Costume accessories --- Fashion accessories --- Beauty --- Complexion --- Grooming, Personal --- Grooming for women --- Personal beauty --- Personal grooming --- Toilet (Grooming) --- Hygiene --- Beauty culture --- Beauty shops --- Cosmetics --- Social conditions --- Clothing --- Identity --- Body care --- Power --- Fashion --- Book
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This book investigates the aesthetic and conceptual characteristics of fifteenth-century female portraiture on panel. Portraits of women increased substantially during this century. They formed part of a material and a visual culture borne out of the rapid rise of an oligarchy from entrepreneurial activities that was especially advanced in the urbanised territories of Italy and Flanders. For this reason, the portraits in this book are by Netherlandish and Italian painters. They are simultaneously illustrative of the emancipation of the genre from its medieval idiom, and of the responses to the matrix of patriarchy, under which society was organised.
Patriarchy is an androcentric structure that places women in a paradoxical situation of legal and social disenfranchisement on the account of purported psychophysical inadequacy, whilst making them the catalysts, through arranged marriages, for the success of the spheres of power, which are controlled by men. Thus, these portraits are also a window into women's lives in this structure. This book is the first systematic study of their sign-system and of the feminine experience of seeing and being seen, at the intersection of disciplines that include art history, anthropology, legal history, philosophy. The surprising results suggest new interpretations of form and function in female portraiture, women's active role in the imaging process and the early instances of a pro-women ideology.
Women in art. --- Portrait painting, Italian --- Portrait painting, Dutch --- Women --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Dutch portrait painting --- Italian portrait painting --- Portraits. --- Portraiture, Women, Netherlandish, Italian, Querelle de Femme, Patriarchy. --- Sociology of the family. Sociology of sexuality --- Painting --- History of civilization --- History of Italy --- History of the Low Countries --- portraits --- women [female humans] --- anno 1400-1499 --- Portrait painting --- Painting, Netherlandish --- Painting, Italian --- Femmes --- Femmes. --- Portraits (peinture) --- Peinture néerlandaise --- Peinture --- in art --- Themes, motives. --- Dans l'art --- Thèmes, motifs. --- Women in art --- Painting, Dutch --- Women. --- History --- Social conditions --- Social conditions. --- To 1500 --- Italy. --- Netherlands. --- Portraits --- Italiaanse school --- Nederlandse school --- Portraits, Dutch --- Portraits, Italian
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647 <493> --- #SBIB:949.3H2 --- HOOFDTREFWOORD-00 --- getuigenis --- dienstpersoneel --- dagelijks leven --- sociale klassen --- KADOC (x) --- iconografisch materiaal --- Huishoudelijk personeel. Dienstpersoneel--België --- Economische en sociale geschiedenis van België --- Employés de maison --- burgerij --- adel --- dienstbode --- 1900 - 1995 --- dienstbetoon --- #A9511A --- huishoudelijke arbeid --- Employés de maison --- geschiedenis --- arbeid --- Mentaliteitsgeschiedenis --- Sociale geschiedenis --- arbeidsverhoudingen, individuele --- sociale geschiedenis --- 331.1 --- 308 --- 331.05 --- Household employees --- History --- Histoire --- Belgium --- Belgique --- Social conditions --- Conditions sociales --- History of Belgium and Luxembourg --- Sociology of occupations --- anno 1900-1999 --- 20e eeuw --- België --- Domestics --- Domestic workers --- Labour law --- Book --- Service staff --- Experiences --- 20e eeuw. --- België. --- 1900 - 1995.
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In Imago Mortis: Mediating Images of Death in Late Medieval Culture , Ashby Kinch argues for the affirmative quality of late medieval death art and literature, providing a new, interdisciplinary approach to a well-known body of material. He demonstrates the surprising and effective ways that late medieval artists appropriated images of death and dying as a means to affirm their artistic, social, and political identities. The book dedicates each of its three sections to a pairing of a visual convention (deathbed scenes, the Three Living and Three Dead, and the Dance of Death) and a Middle English literary text (Hoccleve’s Lerne for to die , Audelay’s Three Dead Kings , and Lydgate’s Dance of Death ).
Thematology --- Iconography --- anno 500-1499 --- Death in art. --- Death in literature. --- Art, Medieval. --- Literature, Medieval --- Visual communication --- Middle Ages. --- Death --- Mort dans l'art --- Mort dans la littérature --- Art médiéval --- Littérature médiévale --- Communication visuelle --- Moyen Age --- Mort --- History and criticism. --- History --- Social aspects --- Histoire et critique --- Histoire --- Aspect social --- Europe --- Intellectual life. --- Social conditions --- Vie intellectuelle --- Conditions sociales --- 393 --- 091.31:7.04 --- 7.045 --- Dood. Dodengebruiken. Dodenritueel. Lijkverbranding. Begrafenis. Crematie. Rouw. Opbaren. Lijkstoet. Sterven. Dodenmaskers --- Verluchte handschriften: iconografie --- Iconografie: allegorieen; symbolen; dodendansen; emblemata --- Totentanz --- Künste --- Kunst --- Literatur --- Art. --- Death. --- Literature. --- Literature, Medieval. --- Social history. --- Visual communication. --- Social aspects. --- To 1500. --- Europe. --- Art, Medieval -- History. --- Death -- Social aspects -- Europe -- History -- To 1500. --- Europe -- Intellectual life. --- Europe -- Social conditions -- To 1492. --- Literature, Medieval -- History and criticism. --- Visual communication -- Europe -- History -- To 1500. --- Death in art --- Death in literature --- Art, Medieval --- Middle Ages --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- History and criticism --- Totentanz. --- Künste. --- Kunst. --- Literatur. --- 7.045 Iconografie: allegorieen; symbolen; dodendansen; emblemata --- 091.31:7.04 Verluchte handschriften: iconografie --- 393 Dood. Dodengebruiken. Dodenritueel. Lijkverbranding. Begrafenis. Crematie. Rouw. Opbaren. Lijkstoet. Sterven. Dodenmaskers --- Mort dans la littérature --- Art médiéval --- Littérature médiévale --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Dark Ages --- History, Medieval --- Medieval history --- Medieval period --- World history, Medieval --- World history --- Civilization, Medieval --- Medievalism --- Renaissance --- Dying --- End of life --- Life --- Terminal care --- Terminally ill --- Thanatology --- Medieval art --- Philosophy --- 393 Death. Treatment of corpses. Funerals. Death rites --- Death. Treatment of corpses. Funerals. Death rites --- History.
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At least since the publication of Burckhardt’s seminal study, the Renaissance has commonly been understood in terms of discontinuities. Seen as a radical departure from the intellectual and cultural norms of the ‘Middle Ages’, it has often been associated with the revival of classical Antiquity and the transformation of the arts, and has been viewed primarily as an Italian phenomenon. In keeping with recent revisionist trends, however, the essays in this volume explore moments of profound intellectual, artistic, and geographical continuity which challenge preconceptions of the Renaissance. Examining themes such as Shakespearian tragedy, Michelangelo’s mythologies, Johannes Tinctoris’ view of music, the advent of printing, Burgundian book collections, and Bohemian ‘renovatio’, this volume casts a revealing new light on the Renaissance. Contributors include Klára Benešovská, Robert Black, Stephen Bowd, Matteo Burioni, Ingrid Ciulisová, Johannes Grave, Luke Houghton, Robin Kirkpatrick, Alexander Lee, Diotima Liantini, Andrew Pettegree, Rhys W. Roark, Maria Ruvoldt, Jeffrey Chipps Smith, Robin Sowerby, George Steiris, Rob C. Wegman, and Hanno Wijsman.
Arts, Renaissance. --- Continuity --- Continuïteit. --- Discontinuïteit. --- Geistesleben. --- Kontinuität. --- Kunst. --- Mittelalter. --- Perception --- Renaissance. --- Art --- Continuité --- Vie intellectuelle --- Übergangszeit. --- Social aspects --- History --- Idées --- Mentalité --- Rupture --- Europa (geografie). --- Europa. --- Europe --- Civilization --- Classical influences. --- Geography. --- Intellectual life. --- Social conditions. --- History. --- Civilisation --- Influence classique --- Classical influences --- Renaissance --- art [fine art] --- art theory --- History of Europe --- anno 1400-1499 --- anno 1300-1399 --- anno 1600-1699 --- anno 1500-1599 --- Continuité --- Arts de la Renaissance --- Aspect social --- Histoire --- Influence ancienne --- Géographie --- Conditions sociales --- Arts, Renaissance --- Revival of letters --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages --- Supraliminal perception --- Cognition --- Apperception --- Senses and sensation --- Thought and thinking --- Continuum --- Mathematics --- Indivisibles (Philosophy) --- Renaissance arts --- Social aspects&delete& --- Philosophy --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Influence classique. --- art [discipline] --- invloed van Byzantijnse school --- invloed van antieke kunst
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Bibliografieën --- Bibliographies --- Godsdiensten --- Religions --- Seventh-day Adventists --- Adventistes du septième jour --- 286.3 --- Adventisten. Millenarisme. Second Advent Christians. Seventh Day Adventists --- 286.3 Adventisten. Millenarisme. Second Advent Christians. Seventh Day Adventists --- Adventistes du septième jour --- Artois --- Artois (France) --- 944.24 --- 3 <09> <44> "15/17" --- Haute-Normandie: Seine maritime; Eure--(reg./lok.) --- Sociale geschiedenis--Frankrijk--Moderne Tijd --- 3 <09> <44> "15/17" Sociale geschiedenis--Frankrijk--Moderne Tijd --- 944.24 Haute-Normandie: Seine maritime; Eure--(reg./lok.) --- 930.86.02 --- 930.86.02 Mentaliteitsgeschiedenis:--Nieuwe Tijd --- Mentaliteitsgeschiedenis:--Nieuwe Tijd --- History of France --- anno 1500-1799 --- Violence --- Villages --- History --- Social conditions. --- History. --- Social life and customs --- Moeurs et coutumes --- Artois (France: County) --- violence --- sociale geschiedenis --- Les Adventistes du septième Jour --- William Miller --- adventisme --- Ellen Gould White --- Saintes Ecritures --- loi de Dieu --- le Christ
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How can the small, isolated island of Bermuda help us to understand the early expansion of English America? First discovered by Europeans in 1505, the island of Bermuda had no indigenous population and no permanent European presence until the early seventeenth century. Settled five years after Virginia and eight years before Plymouth, Bermuda is a foundational site of English colonization. Its history reveals strikingly different paths of potential colonial development as a place where slave-owning puritan tobacco planters raised large families, engaged overseas markets, built ships, created a Christian commonwealth, hanged witches, wrestled to define racial difference, and welcomed godly pirates raiding Spanish America. In Isle of Devils, Isle of Saints, Michael J. Jarvis presents readers with a new narrative social and cultural history of Bermuda. Adopting a holistic, multidisciplinary approach that draws upon thirty years of research and archaeological fieldwork, Jarvis recounts Bermuda's turbulent, dynamic past from the Sea Venture's dramatic 1609 shipwreck through the 1684 dissolution of the Bermuda Company. He argues that the island was the first of England's colonies to produce a successful staple, form a stable community, turn a profit, transplant civic institutions, and harness bound African knowledge and labor. Bermuda was a tabula rasa that fired the imaginations of English thinkers aspiring to create an American utopia. It was also England's first puritan colony, founded as a covenanted Christian commonwealth in 1612 by self-consciously religious settlers who committed themselves to building a moral society. By the 1670s, Bermuda had become England's most densely populated possession and was poised to become an intercolonial maritime hub after freeing itself from its antiquated parent company. The first scholarly monograph in eighty years on this important, neglected colony's first century, Isle of Devils, Isle of Saintsis a worthy prequel toIn the Eye of All Trade, Jarvis's masterful first book. Revealing the dynamic interplay of race, gender, slavery, and environment at the dawn of English America, Jarvis's work challenges us to rethink how Europeans and Africans became distinctly American within the crucible of colonization.
Tobacco farms --- Puritans --- Slavery --- Abolition of slavery --- Antislavery --- Enslavement --- Mui tsai --- Ownership of slaves --- Servitude --- Slave keeping --- Slave system --- Slaveholding --- Thralldom --- Crimes against humanity --- Serfdom --- Slaveholders --- Slaves --- Precisians --- Church polity --- Congregationalism --- Puritan movements --- Calvinism --- Farms --- History --- Bermudas Company for the Plantation of the Somers Islands. --- Bermuda Company --- Company of London for the Plantation of the Summer Islands --- Somers Island Company --- Somer-Island-Company --- Somers Islands Company --- Somers Isles Company --- Bermuda Islands --- Great Britain --- Bermuda --- Bermudas --- Somers Islands --- Summer Islands --- Sommer Islands --- Islands of Bermuda --- Summer Isles --- Somers Isles --- La Garza --- Garza --- Virgineola --- Isle of Devils --- Isles of Devils --- Devils, Isle of --- Devils, Isles of --- Summers Islands --- Barmudas --- Bermoothes --- Bermudes --- Government of Bermuda --- Colony of Bermuda --- BMU --- BM --- The Bermudas --- Social conditions --- Colonies --- Historians --- Historiographers --- Scholars --- Europe --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Civilization --- Historiography. --- Intellectual life --- Enslaved persons --- History as a science --- History of civilization --- intellectual history --- historiography --- anno 1500-1799
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This book explores the dynamic relationships between sites, peoples, objects, and images during the first age of globalization in early modern Europe. It investigates interactions, interconnections, and entanglements on both micro and macro levels, and aims to understand the specific dynamics of processes of translocal and transcultural intersection. Linking global perspectives with the history of material culture, Sites of Mediation highlights the potential of objects, artefacts, and things to connect (urban) cultures and imaginaries. Individual chapters focus on a number of European cities, which all operated on different levels of global and interregional connections and are presented here as sites of connectivity, encounters, and exchange. Contributors are: Tina Asmussen, Nadia Baadj, Benedikt Bego-Ghina, Davina Benkert, Daniela Bleichmar, Susanna Burghartz, Lucas Burkart, Christine Göttler, Franziska Hilfiker, Nicolai Kölmel, Ivo Raband, Jennifer Rabe, Antonella Romano, Michael Schaffner, Sarah-Maria Schober, Claudia Swan, and Stefanie Wyssenbach.
Acculturation --- Acculturation. --- Cities and towns --- Cities and towns. --- City and town life --- City and town life. --- Globalization --- HISTORY / Europe / Western. --- Historic sites --- Historic sites. --- Historiography. --- International relations. --- Material culture --- Material culture. --- Social conditions. --- History --- Social aspects --- Social aspects. --- 1492-1648. --- Europe --- Europe. --- Historiography --- History, Local. --- Relations. --- History of Europe --- History of civilization --- anno 1600-1699 --- anno 1400-1499 --- anno 1500-1599 --- History. --- 1492-1648 --- Culture --- Folklore --- Technology --- Coexistence --- Foreign affairs --- Foreign policy --- Foreign relations --- Global governance --- Interdependence of nations --- International affairs --- Peaceful coexistence --- World order --- National security --- Sovereignty --- World politics --- Historical criticism --- Authorship --- Heritage places, Historic --- Heritage sites, Historic --- Historic heritage places --- Historic heritage sites --- Historic places --- Historical sites --- Places, Historic --- Sites, Historic --- Archaeology --- Historic buildings --- Monuments --- World Heritage areas --- City life --- Town life --- Urban life --- Sociology, Urban --- Global cities --- Municipalities --- Towns --- Urban areas --- Urban systems --- Human settlements --- Culture contact --- Development education --- Civilization --- Ethnology --- Assimilation (Sociology) --- Cultural fusion --- Globalisation --- Internationalization --- International relations --- Anti-globalization movement --- Criticism --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Culture contact (Acculturation)
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